brand portfolio
Gärsnäs (Sweden) – the art of eternal furniture
The philosophy of longevity: Founded in 1893, Gärsnäs is a family-owned pillar of Swedish design. Their core philosophy is simple yet radical: the most sustainable product is the one that never needs to be replaced. For Gärsnäs, sustainability is not a marketing layer, but the result of centuries of craftsmanship combined with industrial precision.
Material intelligence & circularity:
- Craftsmanship: Every piece is produced in their own factory in Österlen, Sweden, using FSC-certified wood (primarily beech and oak).
- The restoration program: Gärsnäs offers a unique circular service. Furniture that has been in use for 30 or 40 years in public spaces can be returned to the factory, refurbished, reupholstered, and sent back into service.
- Certifications: Most products are certified by Möbelfakta, ensuring the highest standards for quality, environmental impact, and social responsibility.
Architectural advantage: Gärsnäs provides an unparalleled investment protection. For architects, choosing Gärsnäs means selecting furniture that will remain aesthetically and functionally relevant for over half a century, minimizing the long-term carbon footprint of any project.
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Mizetto (Sweden) – intelligent systems for agile spaces
Redefining order: Mizetto views the modern office not as a static arrangement of desks, but as a living, breathing ecosystem. Their designs are characterized by Nordic understatement—clean lines that hide sophisticated functional depth.
Circular innovation:
- Design for disassembly: Every Mizetto product is engineered to be taken apart. At the end of its life cycle, steel, wood, and plastic can be separated and returned to their respective recycling loops.
- Local resilience: 100% of production takes place in Sweden. This ensures full transparency of the supply chain and significantly reduces CO2 emissions from logistics.
- Waste management: Mizetto doesn’t just design storage; they design systems like Arkityp, which make waste separation an aesthetic part of the interior design.
Architectural advantage: Mizetto offers maximum planning freedom. Their modular systems grow and adapt with the user, ensuring that the furniture remains functional even when the spatial requirements of a company change.
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Akuart (Denmark) – the architecture of sound
Sound as a design tool: Acoustics are often treated as a technical afterthought. Akuart changes this by treating sound absorption as a fundamental architectural element. Based in Denmark, they create systems that manage noise while defining the visual identity of a space.
Technical & circular excellence:
- Changeable canvas: Their patented system allows the textile surface to be swapped easily. If a client rebrands or renovates, they only change the „skin“ (the textile), while the high-performance acoustic core remains in place for decades.
- Material purity: Acoustic cores are made from 100% recycled PET or high-density glass wool with plant-based binders. All systems reach Absorption Class A. The frame is made from either 80% or 100% recycled aluminium from Hydro.
- Versatility: From wall-mounted panels to ceiling-hung dividers, Akuart integrates seamlessly into cultural, educational, and hospitality environments.
Architectural advantage: Architects can integrate acoustic performance as a primary aesthetic feature. Akuart transforms „noise control“ into a canvas for visual storytelling and spatial atmosphere.
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Misura (Belgium) – textile innovation and marine recovery
Sensory foundations: For Misura, the floor is not a decorative layer but the tactile and acoustic foundation of a room. This Belgian brand bridges the gap between traditional weaving techniques and high-tech material science.
The Sedna® collection – Cleaning the oceans:
- Regenerated nylon: The highlight of Misura’s portfolio is the Sedna® collection, made from ECONYL®. This material is 100% regenerated from abandoned fishing nets (ghost nets) recovered from the seabed, along with carpet waste.
- Resource preservation: By using recycled nylon, Misura actively reduces the global warming impact of nylon production by up to 90% compared to virgin material.
- Atmospheric impact: Beyond sustainability, these textiles provide superior acoustic dampening and thermal insulation.
Architectural advantage: Misura allows architects to meet the highest sustainability certifications (LEED, BREEAM) while telling a powerful story of marine conservation through the very fabric of the building.
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We Do Wood (Denmark) – consistency in form & material
Biological cycles: We Do Wood is the antithesis of throwaway furniture. The brand represents Danish design where „sustainability with substance“ is not a marketing add-on, but a fundamental condition of production. The focus is uncompromisingly on solid wood and genuine craftsmanship.
Material & social responsibility:
- Radical honesty: Every piece of furniture is traceable down to the detail. No hidden composites, no toxic lacquers.
- Circularity at the core: The constructions are designed to be repairable and separable by type at the end of their life cycle – ideal for ESG-compliant projects that require proof of genuine circularity.
- Aesthetic calm: The design does not submit to short-term trends but offers the visual „quality & calm“ necessary in hectic work environments.
Architectural advantage: Ideal for zones where a stance needs to be demonstrated: reception areas, high-end meeting rooms, or quiet zones intended to establish a connection to nature without drifting into kitsch. It is a decision for longevity rather than interchangeability.
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Anno Studio (Denmark) – nordic serenity and architectural depth by Friis & Moltke
The power of reduction: Annostudio is the embodiment of „quality & serenity.“ Their design language is a response to a loud, complex world—creating objects that are architecturally calm and functionally precise.
Sustainable substance:
- Aesthetic longevity: By avoiding fleeting trends, Annostudio ensures that their furniture remains modern for decades, reducing the need for replacement.
- European craftsmanship: Every piece is a result of a strong Nordic network of suppliers, prioritizing material unity (using only one or two materials per product) to ensure easy recycling.
Architectural advantage: Annostudio provides the „quiet“ elements of an interior. Their pieces support the architecture of a room rather than dominating it, making them perfect for high-end residential and focused work environments.
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The New Raw (Netherlands) – robotic upcycling
From waste to sculpture: „Waste No More“ is the guiding principle of this Rotterdam-based studio founded by Foteini Setaki & Panos Sakkas. They have pioneered the use of large-scale robotic 3D printing to turn plastic waste into high-quality, durable furniture and urban objects.
The future of manufacturing:
- Zero-waste production: Because the robotic arm only prints the material needed, there is no off-cut or waste during production.
- Infinite recyclability: The objects are made from 100% recycled plastic (household and industrial) and are designed to be ground down and reprinted at the end of their life.
- Tactile innovation: The 3D printing process creates a unique, layered texture that is both a functional grip and a visual reminder of the material’s origin.
Architectural advantage: For architects looking to make a bold statement about circularity, The New Raw provides sculptural, context-driven pieces that serve as a physical proof of a functioning circular economy.
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SurfBench (Germany/Italy) – kinetic interaction
Seating in motion: Developed in Germany by Kim Andre Lange and manufactured by master artisans in Italy, SurfBench redefines seating as a dynamic, kinetic experience. It is a functional artwork that invites curiosity and human connection.
Mechanical excellence & circularity:
- Powered by people: The wave-like motion of the bench is entirely mechanical. It requires no electricity, sensors, or motors—just the natural movement of the people sitting on it.
- The „eternal“ build: SurfBench is designed for public spaces where durability is key. Every single component is individually bolted. If a part wears out after years of use, it can be replaced in minutes. It is a product designed for infinite repairability.
- Cultural fusion: Combines German engineering precision with the world-renowned manufacturing quality of Italy.
Architectural advantage: The SurfBench activates „dead“ spaces like foyers or hallways, turning waiting time into a playful, sensory experience.
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